This allows the models to practice posing techniques and gives them great portfolio images to boot.

Even though modeling is a difficult business to break into there are many aspiring models these days who would like to try. I have been contacted by girls who would like to learn more about modeling and who ask for information. This is a great way to get their feet wet and to get started in order to see if it’s something they would like to pursue in the future.

This workshop was held in Kalkaska, Michigan.

Here are some images from the event.

One of the fun things I tried was having the model look at me through a plexi-glass panel that was covered in wax drippings.  Turned out pretty good.

The workshop was also open to women of all ages.

Spending time on the beach in Northern Michigan is like a vacation to a tropical paradise. The only thing missing is the palm trees.

I had a photo shot with Megan Dunn  who contacted me for images to put into her modeling portfolio.

Shooting on the beach offer special challenges to the photographer. First there are the elements. Sand and water are not friendly to the camera equipment so you must take special care to make sure your equipment stays in good condition. It’s a good idea to bring a sheet or a blanket to lay your equipment on when not in use.

Both of these photos were taken at 5:30 AM (I know, Crazy huh?) You can see in these photos the different effects you can get with a sunrise or sunset. Lighting plays a role in the final outcome of your shot. If you want to see the beautiful colors of the scene and also expose for the model you MUST use an artificial light source. I like the silhouette on the left but I knew by looking at the scene that Megan was going to appear black against the bright sky. If I would have pointed my spot meter on her she would have been in correct exposure but I would have lost the colors of the sunrise. The photo on the right is the best of both worlds. You get a good exposure on the model and dramatic colors in the background. The following few shots are more examples of these two effects. Notice how you can use the variations for creative effects.

The photo above shows Megan in correct exposure with the background. For that shot I used two Alienbees with softboxes. They were powered with one vagabond power pack. Using two lights on one power pack drained the power very rapidly.

That’s not too much of a problem however, when shooting a sunrise or sunset you are forced to work rapidly because the sun is constantly changing. You have to be out there and ready to go when the sun starts coming up otherwise you lose the scene and there are no second chances.

If the power pack works for 30-45 minutes then you will have plenty of time to get your shots. I have tried to use other light sources such as Canon’s 580EX or just a reflector held up in front of the model.

The smaller flashes are fine if you can’t afford a studio light or if you are in a hurry and don’t want to try to set up studio lighting on-location but you may not get the colors to look as dramatic as the ones above. The reason being that you would have to compensate for the lower light output by making the scene brighter in your camera settings.

The image on the left is a good example of the silhouette effect. When shooting silhouettes you want to pay attention to the outline of the body and the various aspects of the scene. I Think of those old-time Victorian silhouettes. You want the parts of the body to be clearly visible and easily read by the viewer.

Body parts that overlap each other will not be visible. It’s best to try to show all the contours of the body. Have your model pose in such a way as to show the arms and legs or the curves and textures. This shot would not have worked if the model was facing  towards me or away from me. You would not have seen the contours of her hair or the curves of her body. The bikini string would have also blended in with the rest of the body.

The same principles apply when shooting later in the day.  You never want to shoot on the beach in mid day sun. It’s better to shoot in the early morning or later in the afternoon.

This shot was taken on a different day at 5-6 O’clock in the evening. We went out to the Old Mission Peninsula because the sun was on the opposite side  of the bay from the sunrise shoot. We were facing west instead of facing east.  The beauty of shooting in Traverse City is that there are two bays to choose from. You can shoot both sunrise and sunset depending on where you go. You can also find beaches that are relatively private, which gives you an opportunity to practice without the additional pressure of onlookers and gawkers.

Notice the directional light on Megan’s body caused by the sun behind her. This time I didn’t have the Alienbees. I used a reflector held by an assistant. The water behind her is not as deep and dramatic as the sunrise shots above.

This shot was done using a wide aperture setting to get the blurring in the background. This particular lens goes to f2.8, which means that the opening in the lens is large and, therefore, lets in more available light. To compensate for all the extra light coming in to your camera you need to make your shutter speed faster than than your camera’s flash sync speed. Shooting with a flash is difficult in this situation. This photograph was shot at f2.8 at 1/320 sec. The sync speed of a Canon is 1/250 sec. If you shot at that lower speed you would have to “stop down” your aperture to compensate thereby increasing the depth of field.  I also used a neutral density (ND) filter to cut down the light even further. The lighting in this image is  done with the sun directly behind the model and a gold reflector to compensate.

The photos above where shot with Megan positioned so that the sun approximately 90 degrees to her left. I did this in order to create a side lighting effect. You don’t always need to have the sun behind your model. When the sun is lower in the sky it makes a great light source because it casts a directional light on your subject. You should always look for the interplay of available light on your scene and use whatever tools you have available to balance against that light source.

When you see the directional light use it  to your advantage but don’t forget to balance that light on the other side with a flash or, in this case, a reflector.

Terry and another photographer were shooting with Leslie Sevenski when I arrived. They had been shooting for a couple hours and were just wrapping up when I arrived. Leslie and I have worked together several times over the past couple years. I always love photographing the Sevenski girls.

However, this time I had a model named Sarah LaRosa who had asked me to shoot.

Terry’s lighting wasn’t working out too well for me so I decided to pull out my Frezzi video light to get a different effect. I love the fall-off created by this light.

Jumping at several small opportunities may get us there more quickly than waiting for one big one to come along.  ~Hugh Allen

Meg Howard and I were planning to shoot together for several weeks but for one reason or another we weren’t able to put it together. Well, this past Tuesday things seemed to fall in line nicely. My friend Brian Harwood had taken delivery of his new Alienbees and Terry Clark had mentioned over the weekend that he had set up his pole barn as a small photo studio. As luck would have it Meg and I finally found a day that we could shoot. That day was Tuesday.

I called Brian and Terry and set up the shoot. It took us a while to get everything set the way we wanted it but once the lighting was in place everything else just seemed to flow.

Meg is a gorgeous model. She was the perfect person to photograph.

Meg brought along her old prom dress. I’m glad she did.

Terry’s wife, Jodie brought out a fan so we could get the blowing hair effect. Notice how the background is a different color from the photograph on top. It’s actually the same backdrop. The only difference is that I moved Meg out a little and increased my shutter speed. We also wanted dramatic light so I put various grids on the light to give it more of a spotlight effect as you can see in the next photograph.

Notice the difference in the light produced by the honeycomb grid as opposed to the soft-box.

This Sunday I am hosting another model photography workshop at the Sleeping Bear Dunes National Lakeshore. I also do private shoots with models to help them build a portfolio. Feel free to contact me for rates.

The sandy beaches of Traverse City are a photographer’s dream!

When I recently got the opportunity to visit Traverse City I jumped at the offer.  Meg Howard was interested in getting some swimwear shots so my friend Joe and I packed up our gear and headed north. We arrived at the beach on old Mission Peninsula at around 1:30 p.m. for the 2:30 shoot. I was a little nervous of the weather. Meg had called while we were driving up and asked if we were still planning to shoot. The lower half of the State was sunny but Traverse City had an early morning storm. When we arrived at the beach the wind was chilly and threatening. I thought our equipment would end up getting blown into the lake.  But then, while  we were setting up,  the sun  came out and the wind died down. It was as if the Grand Traverse Bay was welcoming us for the shoot. The rest of the day was beautiful. The hot Michigan sun finally made its appearance.

Meg arrived a little late but that was okay. We set up our equipment on the beach and suddenly a family showed up with their kids. They took over our little plot of paradise. Joe and I, along with my good friend Terry Clark, decided to move everything down the beach where we could be more private. We didn’t want Meg to become a public spectacle or the shoot to be interrupted by children. There were only a few people on that beach so we found a place where we could stake out a spot of our own.

We packed all the gear and started walking down the beach. We went back and forth until we finally had everything. Meg showed up just as we finished the move. Perfect timing.

Meg is incredibly beautiful as you will see from the photographs. I feel privileged that she chose me as her favorite photographer. We are both hoping that she will be “discovered” and move on in the world of modeling. I think she has a chance.

You can see more of the shoot on my Flickr account

The shoot started at 3:00pm. Ten minutes before Leslie arrived the snow began to fall. It came down so hard you couldn’t see across the lake. Leslie, being the adventurous sort, agreed to go on the shoot anyway. We ventured out on the ice but most of the shanties were empty. I think we got some interesting shots regardless of the snow.

Wandering out on the lake proved to be very cold. We decided after a while to move into the Interlochen Center for the Arts to see if we could get some interesting shots there. We were also met by my assistant Jessica Lynn Nichole who came along to help with lighting.

Our first stop was the Interlochen bowl, a nice location for the shoot. Leslie’s red top was an excellent selection for a winter shoot.

After a a while we decided to come in and warm up. I live near the arts camp so we came to my house and set up a backdrop so that we could continue the shoot in comfort. I also had Leslie change and gave her a cowboy hat to try on.

Sometimes the day doesn’t go as planned when shooting on-location but I think we made the best of it.